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Watch the Episode, or right click links 1-3 below to download:
This episode is a little different from the others in the Create World 2008 Podcast Program. This 8 minute vodcast (video podcast) episode explains the character of Create World and provides a rich visual record of what happened at Griffith University in Brisbane Qld on the 7-10 December 2008. We asked Professors Roly Sussex (UQ), Paul Draper (Griffith) and Phil Long (UQ) to reflect on the special character of Create World, and have brought you their subsequent discussion against the background of some 124 shots of this great conference, provided to us from hundreds taken by Stephen Johnston (ECU), editor, and Paul Godfrey (ECU), photographer, of the AUC magazine "Wheels for the Mind". You can access this episode in different file formats and sizes. You can watch it on Youtube by clicking below, download it from the Podcast Program site by right clicking the links above, or have an iPod friendly version delivered to your computer as part of the program subscription. Now we know a lot of you who attended Create World 2008 will enjoy the memories but we would like to encourage you to do much more with this episode. Share the Wisdom and Promote Create World: Help your colleagues at your institution learn more about the knowledge and wisdom emanating from the conference. Set up a "brown-bag lunch" meeting or informal think-tank, where you can talk about ideas from Create World that may be of benefit to your institution. Use this episode as an introduction to the conference and then choose clips and ideas from any of the other 23 episodes in the Create World Podcast Program to explore those things that, as Roly Sussex says in this episode, "might take you to new places, and bounce you from where you are now to where you want to go next" To help those who would like to run these meetings we have available a stand-alone player, for Mac OS only, which runs this presentation in an uncompressed stunning full screen mode. …. it’ll get their attention. It is a chunky 435 mb so please email Allan Carrington and we can work out how to get a CD to you. Share your creative ideas: Help others who attended Create World 2008 by sharing with us how you use this presentation, and the other content in the Podcast Program, to disseminate your Create World learnings to your colleagues. Please contribute your ideas and experiences by commenting on this blog or better still, record your thinking on the comment board. Be part of the wisdom – and make Create World 2009 an even better experience. |
Entries Tagged as 'Performance'
The Three Professors reflect on Create World
December 26th, 2008 · 1 Comment
Tags: Conference Podcasting - extending the paradigm · Performance · Research in the Creative Arts
Luke Toop: this ain’t no disco
December 23rd, 2008 · No Comments

Listen to the Episode: King of the VJs
Luke Toop (University of Adelaide) is a Video Jockey. Well not just any old video jockey. Having cut his live coding teeth on the Isadora graphic programming environment, Luke Toop is now the undisputed king of Quartz Composer, a visual programming language that is integral to Mac OS X.
Which is a very dry and techno-geeky way of saying – this guy can crank out stuff like you have never seen before. Luke’s Create World 2008 performance was simply stunning: Luke on his own at the front of the auditorium, armed with just a Mac laptop, pumping out the music and throwing up on the screen the most exciting set of visual ideas that you are ever likely to see interacting together in one place.
In this podcast episode Allan Carrington interviews Luke about his work, and along the way does some rueful reflection on how far we’ve come since Allan got to plug in his first set of disco lights. A long way indeed. Luke’s performance wasn’t any ordinary disco. My brain was frazzled with new ideas, and my eyeballs were fried.
Unfortunately this episode is the only recording we can offer you – Luke’s emphasis, it seems, has been on the real-time performance, on the act of creating itself, not on capturing it for later replay. (I guess it comes as a kind of relief to find that in this most digital of arts there is still a premium on the ephemeral rather than the archival.)
But if you want to keep in touch with what’s going on with Luke you can monitor his Epiphanies blog at http://luketoop.com, and you can find out more about applications of the composer at the Quartz Composition site. And get into some mind-bending stuff about the world of live coding over at Toplap.
Tags: Digital Music · Performance · Research in the Creative Arts
Music, Recording and the Art of Interpretation
December 21st, 2008 · No Comments

Listen to the Episode: Music, Recording and the Art of Interpretation
Leading Australia pianist Stephen Emmerson and audio producer Paul Draper (Queensland Conservatorium Research Centre, Griffith University) are collaborating on a piece of music in a new way, undertaking some thoughtful unpacking of notions of interpretation, creative arts research and the performer – recording method nexus. Cat Hope talked to them about the collaborative process between ‘technicians’ and musicians, and the possibilities for sound colour from within the studio.

Stephen and Paul’s presentation is available here as a pdf. And for more of Paul Draper’s ideas see his blog, Proximity Effect
Participants Comments
Listen to the commentary:
Create World is the place
Tim Landauer (Edith Cowan University) talks to Cat Hope in the middle of the noisy networking going on at a coffee break at Creaate World … everyone is obviously engaged with and enjoying the conference. Tim has just walked out of the Emmerson Draper presentation and explains why he thinks Create World is the perfect place for this sort of collaboration.
Tags: Performance · Research in the Creative Arts
We hope you like Jam2Jam too
December 20th, 2008 · No Comments
Listen to the Episode:
Jam2Jam
OK all you frustrated Brian Enos sitting at home alone with a hard disk full of lonely Garage Band files that no-one else will ever rock along to, its time to come out of the closet, get connected and get jamming with the world. Jam2Jam is an exciting new piece of networked interactive software, brilliantlly demonstrated by Steve Dillon and Andrew Brown (Australasian CRC for Interaction Design) in a live online collaboration at Create World 2008, and designed to bring out your inner DJ, or even VJ perhaps, by enabling you to jam along live with other users.
The great thing about this software is that you don’t need to have joint PhDs in digital composition and software development to make it work. You can control it visually, intuitively, and you don’t really need much musical background at all. So its not just for professionals; indeed, the current version of the software is designed specifically for school-age children – have a look at it at work in a primary school setting in this YouTube video:
Cat Hope spoke to Steve and Andrew after their performance, finding out a bit more about what Jam2Jam offers users across different musical genres and cultures and about its pedagogical context.
Jam2Jam software development was partially funded by the AUC as part of their grants programme . The AUC has further supported the project by lending hardware for workshops with children. This facility is open to all AUC member universities.
Tags: Digital Music · Performance
The importance of being earmarked
December 19th, 2008 · No Comments
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In this podcast episode Brett Murray (WAAPA, Edith Cowan University) talks to us about the crafting of an interactive theatre piece. What were the challenges involved in creating music from an ‘interactive set’? Indeed, what is an ‘interactive set’? And why did Brett decide to work this way, and how did the creative team respond to working in an indeterminate environment where randomness was such a key issue? Listen to this episode and find out …. |
Tags: Performance
Topology: music as the food of … being fully human
December 14th, 2008 · 2 Comments
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Listen to the Episode: Topology: the music of speech
Topology are interested, amongst many other things, in the musicality of speech, and at Create World 2008 four members of the the group – John Babbage, Christa Powell, Bernard Hoey and Robert Davidson – rammed home to us how powerful the music-speech connection could be with a series of pieces blending video, digital speech audio and wonderfully accomplished live performance on good old fashioned analogue instruments. They started off with this number, incorporating the famous Martin Luther King speech: Not so surprising perhaps that a great orator like Martin Luther King should be so amenable to musical interpretation (and presumably only Topology’s preference for historical rather than contemporary speech is preventing them from doing something similar with Obama). But what about something more home grown for us Australians? Gough Whitlam after the dismissal perhaps, on the steps of Parliament House? Not at all musical you think? Well, try listening to the following sample, you might change your mind. (For more of this, go to Topology’s The Big Decision website.) Well may we say (click player buttons to play, pause or stop) After their exhilarating Create World performance, Topology discussed their work with Allan Carrington. They talked a bit about the speech, intonation and music nexus, but they also enlarged on the role of music in human life generally, seeing music as opening us up to senses and feelings in ways that complement our thinking selves and help to make us fully human. |
Tags: Performance
Cinematic theatre
December 10th, 2008 · No Comments
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Long-time colleagues Steven Maxwell and Brad Jennings founded Markwell Presents in 2002 and are now producing cinematic performance with various dance and theatre groups in Australia. In this podcast episode they talk to us about ‘cinematic theatre’ and the challenges of seeking to blend live, embodied performance with digital media. ‘Cinematic theatre’ as a concept does not have to include digital material, though. The concept is more broadly concerned with the bringing of film theory and film aesthetics into the space of the theatre, thereby seeking to expand the theatrical experience and the range of theatrical expression. (See for example Ebrahimian 2004.) You can do this with good old fashioned analogue film, of course, but digital technologies make it that much easier and affordable. One wonders what the knock-on educational effects of this convergence of live performance and recorded material might be. Already struggling to make your powerpoint presentations more interesting? Worried that you have too many bullet points and too few graphics? What will happen when you have to have not just slides but whole movies running on the screen behind you during your lectures? That will make a difference to your lecture preparation time, hey? |


Listen to the Episode: 
Listen to the Episode:
Allan Carrington is a Learning Designer with the Centre of Learning and Professional Development at the University of Adelaide.
Dr Ian Green teaches and researches in areas of researcher education, elearning and linguistics at the University of Adelaide.
Dr Kate Foy is a freelance creative arts consultant and practitioner, and an e-learning researcher. She was until recently Associate Professor and Deputy Dean Faculty of Arts, University of Southern Queensland.
Cat Hope runs the composition, music technology and postgraduate programs in music at the Western Australian Academy of Performing Arts (WAAPA) at Edith Cowan Univeristy in Perth, WA. She is a composer, performer, installation artist and active music researcher and writer. 