Podcast Program of Create World 2008

Listen to the Episode: King of the VJs
Luke Toop (University of Adelaide) is a Video Jockey. Well not just any old video jockey. Having cut his live coding teeth on the Isadora graphic programming environment, Luke Toop is now the undisputed king of Quartz Composer, a visual programming language that is integral to Mac OS X.

Which is a very dry and techno-geeky way of saying – this guy can crank out stuff like you have never seen before. Luke’s Create World 2008 performance was simply stunning: Luke on his own at the front of the auditorium, armed with just a Mac laptop, pumping out the music and throwing up on the screen the most exciting set of visual ideas that you are ever likely to see interacting together in one place.

In this podcast episode Allan Carrington interviews Luke about his work, and along the way does some rueful reflection on how far we’ve come since Allan got to plug in his first set of disco lights. A long way indeed. Luke’s performance wasn’t any ordinary disco. My brain was frazzled with new ideas, and my eyeballs were fried.

Unfortunately this episode is the only recording we can offer you – Luke’s emphasis, it seems, has been on the real-time performance, on the act of creating itself, not on capturing it for later replay. (I guess it comes as a kind of relief to find that in this most digital of arts there is still a premium on the ephemeral rather than the archival.)

But if you want to keep in touch with what’s going on with Luke you can monitor his Epiphanies blog at http://luketoop.com, and you can find out more about applications of the composer at the Quartz Composition site. And get into some mind-bending stuff about the world of live coding over at Toplap.

Listen to the Episode: Music, Recording and the Art of Interpretation
Leading Australia pianist Stephen Emmerson and audio producer Paul Draper (Queensland Conservatorium Research Centre, Griffith University) are collaborating on a piece of music in a new way, undertaking some thoughtful unpacking of notions of interpretation, creative arts research and the performer – recording method nexus. Cat Hope talked to them about the collaborative process between ‘technicians’ and musicians, and the possibilities for sound colour from within the studio.

Stephen and Paul’s presentation is available here as a pdf. And for more of Paul Draper’s ideas see his blog, Proximity Effect

Participants Comments
Listen to the commentary:
Create World is the place
Tim Landauer (Edith Cowan University) talks to Cat Hope in the middle of the noisy networking going on at a coffee break at Creaate World … everyone is obviously engaged with and enjoying the conference. Tim has just walked out of the Emmerson Draper presentation and explains why he thinks Create World is the perfect place for this sort of collaboration.